Gomis's political views caused him to live in exile after the accession of Ferdinand VII in 1823, in Paris and in London. In both cities he was a friend of his fellow exile the composer Santiago Masarnau, whom he may have introduced to London musical life. In Paris, Gomis wrote a successful singing method, published in 1826 with dedications to Gioacchino Rossini and François-Adrien Boieldieu, and in London his choral work L'inverno was performed in 1827. In 1830 his opera Aben-Humeya was performed in Paris. Gomis's Paris operas Diable à Seville (1831) (staged with the support of Rossini) and Le revenant (1836) gained respectful reviews from Hector Berlioz. Le portefaix, the most successful of his operas, had a libretto by Eugène Scribe (originally offered to the composer Giacomo Meyerbeer).
Gomis was made a Chevalier of the Légion d'honneur by King Louis-Philippe. Gomis died in Paris in 1836 of tuberculosis, leaving a number of works unfinished, including the opera Le comte Julien, also to a libretto by Scribe (and eventually set in 1851 by Sigismond Thalberg as Florinda).
- "José Melchor Gomis, un compositor romántico olvidado". El País. 12 August 1978. Retrieved 23 August 2015.
- Dowling (n.d.)
- "El Himno de Riego, la música de la República". El Mundo. 28 November 2003. Retrieved 23 August 2015.
- Johnson (1993), 67-71
- Berlioz (2015), 57.
- Letellier (2014), 1
- Berlioz, Hector (ed. Katherine Kolb) (2015). Berlioz on Music: Selected Criticism, 1824-1837. Oxford: Oxford University Press. ISBN 9780199391950
- Dowling, John (n.d.). "Gomis (y Colomer), José Melchor [Melchior]", in Grove Music Online (subscription required), accessed 23 August 2015.
- Johnson, Janet (1993). "Rossini in Bologna and Paris during the Early 1830s: New Letters", in Revue de Musicologie, vol. 79 no. 1, pp. 67–83.
- Letellier, Robert (2014). Meyerbeer’s Les Huguenots: An Evangel of Religion and Love. Cambridge: Cambridge Scholars Publishing. ISBN 9781443860840
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